Nearly all the discussion about The Row lands on big, quiet leather carryalls, yet the design reasoning reads most sharply at the smallest scale. There is nowhere to hide on a crossbody or a clutch: proportion has to be precise, the closure has to shut cleanly, and the leather alone has to bear the object. Here is a row bags overview of the small end of the line, addressing crossbody styles, compact shoulder bags, pouches and clutches. Every number here is an observed 2026 market price, recorded in September of that year rather than lifted from an official price list, because the brand issues none. If a piece is confirmed Made in Italy on the brand’s own product page, the guide says so; nothing is guessed. Bags only here, with ready-to-wear and footwear kept out of the frame.
The Row bags wear no exterior logo plaque and no monogram print, which leaves silhouette, proportion and construction to do all the heavy lifting. A discreet exterior stamp sits low on the side, where it vanishes into the leather, and a second stamp is set inside. Hardware arrives palladium-plated with a matte or brushed finish, so it reads as weight and precision rather than shine. Where other houses print logo jacquard, the linings here are luxury materials in their own right — nappa, lambskin, calfskin and cotton herringbone. Those decisions are easy to overlook on a large tote; on a clutch the size of a paperback they are the entire design. Which is why the small pieces provide the clearest introduction to how the label handles leather.
Crossbody styles are the collection’s most practical corner, and observed 2026 prices put them among the most accessible pieces too. Roughly $1,290 to $2,550 covers the group, and that floor sits below almost every top-handle style the brand makes. Naming follows the house convention of orientation prefixes: N/S and E/W distinguish upright versions from wide ones inside a single idea. Part of the Park family belongs here, because that family comprises the N/S Park Tote, the Park Tote, the Park Tote Three, the XL Park Tote and the N/S Park Crossbody. Calfskin in smooth, grained and saddle finishes makes up the materials, and the fittings are palladium-plated throughout. Visible branding is missing from all of them, so they are bought as daily bags rather than occasion pieces.
Observed at $1,290, the N/S Park Crossbody is the smallest way into the Park family without going to a tote. The same flat, unstructured logic as the rest of the family, only scaled down to be worn against the body rather than carried in the hand. Anyone who already owns a The Row tote bag from that line will recognise the same construction language at a fraction of the volume. The Rene Crossbody was observed at $1,350, landing just above it. Each falls within the roughly $590 to $1,500 entry band the collection sustains at its lowest end. For a first row bag, this pair is where the smallest outlay coincides with the fullest expression of the house style.
The Izzy exists in several orientations, with the E/W Izzy observed at $2,300 and the N/S Izzy at $2,490, alongside a Small Izzy shoulder version at $2,100. Observed at $1,950, the N/S Annie Crossbody falls between the entry crossbodies and the Izzy group. The Large Slouchy Banana was observed at $2,550, and the brand’s own product page states it as Made in Italy. The same page showed waitlist availability rather than open stock when the research was done — standard for the label. Taken together the three lines cover the top half of the crossbody range, with a noticeable rise in structure and leather weight. They are also the pieces most often cross-shopped against small shoulder bags rather than against each other.
That two of the four signature models work at this small scale says a great deal about how seriously the label treats the format. The Half Moon was observed at $1,390, a leather variant was seen at $1,690 at a stockist, and the model is confirmed Made in Italy. The published dimensions are given as 8 x 13.5 x 2.5 inches; sources conflict on the exact numbers, so treat it as the official reading and not as a settled measurement. Observed at $1,090, the 90’s Bag is the least expensive of the four signatures; the 90’s Shoulder version was $1,450. Neither relies on hardware for identity; both rely on curve and drape. The two of them represent the cheapest honest entry into the top row bags on silhouette rather than category.
The clutch group is where construction detail shows most, and the Bourse Clutch makes the clearest case. At an observed $1,590 and confirmed Made in Italy, the specification takes in a calfskin exterior, a nappa lining, a hinged frame closure, a hidden adjustable shoulder strap and dimensions of 10.2 x 6.5 x 2.3 inches. The Peggy Clutch was observed above it at $2,900 and the Dalia Baguette at $2,700, with the Squared Compact Clutch level with the Half Moon at $1,390. Higher again are the evening formats — CC Minaudiere at $2,780, Long CC Minaudiere at $3,800. Terrasse To-Go, observed at $1,950, is another Made in Italy piece straddling clutch and small bag. Under everything else sit the pouches and small leather goods, with the Ray Pouch at $950 and $1,100, the Travel Pouch at $990, Sally at $1,000, the Cecily Mini Tote at $950, the Mini Barn Tote at $1,200 and the Double Travel Wallet at $590.
The table pulls the figures above into a single view for comparison. All of these are observed 2026 market prices, not an official published price list, which the brand does not issue. Prices at retailers can differ from the brand’s own site, while currency, season and stock each move the number. If a row carries two prices, that is either two versions or two sizes observed at the same time. Read it as a snapshot of where each piece sat relative to the others, and not as a quotation. What has stayed stable over time is the ordering, not the absolute numbers.
| Piece | Category | 2026 observed price (USD) | Notes |
|---|---|---|---|
| Double Travel Wallet | Small leather good | $590 | Lowest entry point observed |
| Ray Pouch | Pouch format | $950-$1,100 | Two versions observed |
| 90’s Bag | Compact shoulder bag | $1,090 | Signature model, Shoulder version $1,450 |
| N/S Park Crossbody | Crossbody | $1,290 | Member of the Park family |
| Rene Crossbody | Crossbody bag | $1,350 | Lands just over the Park crossbody |
| Half Moon | Small shoulder bag | $1,390 | Made in Italy, leather variant at $1,690 |
| Bourse Clutch | Frame clutch | $1,590 | Hinged frame; Made in Italy |
| N/S Annie Crossbody | Cross-body style | $1,950 | Mid-point of the crossbody band |
| N/S Izzy | Crossbody | $2,490 | The E/W Izzy was observed at $2,300 |
| Large Slouchy Banana | Cross-body style | $2,550 | Made in Italy, waitlist availability only |
| Peggy Clutch | Clutch bag | $2,900 | The top of the small-bag range |
Resale figures describe observed market behaviour rather than investment advice, so read them as context rather than a reason to buy. Brand-level value retention stood at 97% in the Rebag CLAIR 2025 report, a first entry into that report’s unicorn tier of 85% and above, behind only Telfar, Hermes and Goyard. The Half Moon shoulder was recorded at 106% retention in that report. For comparison across formats, the same report put the N/S Park Tote at 146% and the Margaux Tote at 107%. Separately, the 90’s Bag has been identified as the riser of the group, with eBay search volume reported up around 55% year over year as of April 2025. This is not universal: canvas, nylon, sisal and seasonal colours discount on the secondary market, and the strength is focused in black and neutral calfskin in the signature silhouettes.
Since no brand-issued care protocol exists, the advice below is material-appropriate general guidance. Do not overfill a small bag, since the shape does the identifying work and a stretched gusset undoes it. Keep the leather out of direct sunlight, heat and rain, and store the piece in its dust bag, lightly stuffed, so it holds its form. For calfskin and grained finishes, buff with a soft dry cloth and use neutral conditioner sparingly. Nappa and lambskin mark easily, so keep to a dry cloth and do not over-condition. Suede takes nothing but a suede brush — no cream, no wet wipes, no soap, no water-based cleaner — while raffia, canvas and silk or satin versions spot-clean but stay the least serviceable of all.
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